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Archive for : Gender & Sexuality

Weekly Torah: Parshat Acharei Mot-Kedoshim 5770

This post is part of a weekly series of Torah commentaries presented by the American Jewish World Service. It was contributed by Aviva Presser Aiden.

At the outset of Parshat Kedoshim, all Israel receives the nebulous command of “kedoshim tihiyu…You shall be holy, for I am holy; I am the Lord your God.” ((Leviticus 19:2.)) The text then proceeds to enumerate numerous laws appearing to detail the requirements of this injunction.

Within this collection of verses we find an interesting parallel: In Leviticus 19:3, the text dictates that part of fulfilling the commandment to be holy includes the obligation to “… revere [one’s] mother and [one’s] father, [and to] keep my Sabbaths, I am the Lord your God.” ((Leviticus 19:3.)) Toward the end of Chapter 19, a second verse, also linked to holiness, structurally and linguistically parallels 19:3 quite closely. It requires that “you shall keep my Sabbaths and venerate My Sanctuary, I am the Lord.” ((Leviticus 19:30.)) In these two verses, the language of Sabbath reverence is identical, and the word for reverence—tira’u—is used in relation to both parents and the Sanctuary.
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Speak Your Mind: Ma’yan Political Theater Takes the Stage

That’s Not Fair! Virtually everyone has uttered that phrase once before, and likely many times – when someone cuts in line or says something intentionally hurtful; or when a hidden societal injustice gets exposed. Last night, that ubiquitous cry was further illuminated at The JCC in Manhattan during, That’s Not Fair: a performance by The Ma’yan Political Theatre Apprentices.

The cast of eight performers – junior high and high school girls ranging from age 12 to 17 – were in fine form, weaving together theatre, puppetry and music in an ensemble exploration of tough questions surrounding privilege, power and oppression. “Most of the content was taken from things we experience in our every day lives,” said performer, Esther Lenchner. From there, they collaboratively created images and scenes (along with their artistic director, political theatre veteran Jenny Romaine) that educated the audience without forcing them to a particular viewpoint. “We don’t have all the answers,” said Dylan Corn – so we wanted to let the audience draw their own conclusions.

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